Varied Views of a Border

In some spots along the Mexican-American border, a well-fortified fence extends as far as the eye can see, while in others a wall ends abruptly in the ocean. Beyond these images of the United States’ southern border, we are interested in your photos.

An aerial view of the border fence in Tijuana, Mexico, where it meets the Pacific Ocean.
Kirsten Luce for The New York Times.

An aerial view of a Border Patrol vehicle along a section of the border wall south of Mission, Tex., near the Rio Grande. In this case engineers built the wall along an existing levee in the floodplain just north of the river.
Kirsten Luce for The New York Times.

An aerial view of the Rio Grande, which snakes its way through the Rio Grande Valley. Many do not understand the difficulty of building fences or monitoring thick brushland along the river. It is also complicated to block American farmers from accessing the river, which irrigates crops in this agricultural region.
Kirsten Luce for The New York Times.

The rusted old border wall separates Tijuana, Mexico, right, and a Border Patrol-controlled buffer zone, left. Once high volumes of drug trafficking in this impoverished area have diminished significantly.
Kirsten Luce for The New York Times.

The Border Patrol installed an iron fence to keep drug smugglers from using their roads to move drugs. This is an area south of Mission, Tex., where the river is quite narrow and easy to cross or float drugs across.
Kirsten Luce for The New York Times.

A border fence ends in the rugged terrain in East Tijuana. This photograph was taken in the mountains east of San Diego.
Kirsten Luce for The New York Times.

Migrants hoping to arrive in California by boat are traveling more and more northward to elude border patrol. Torrey Pines State Beach (pictured) is more than 30 miles from the border but was once a popular location because of its proximity to the road.
Kirsten Luce for The New York Times.

A woman makes her way back to Mexico at the Nogales Port of Entry in Nogales, Ariz.
Joshua Lott for The New York Times.

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Kelly lifts No. 3 Duke past No. 5 Miami 79-76

DURHAM, N.C. (AP) — Ryan Kelly had waited two months for the chance to help his Duke teammates reclaim the form that made them the nation's top-ranked team.

He returned with a stunning performance that shook up No. 5 Miami and left his own Hall of Fame coach struggling for the right words.

The senior scored a career-high 36 points in his return from a foot injury that had sidelined him since January, helping the third-ranked Blue Devils beat the Hurricanes 79-76 on Saturday night in a matchup of the Atlantic Coast Conference's top teams.

"I guess I was ready for it," Kelly said. "That's all I can say."

Kelly knocked down 10 of 14 shots — including 7 of 9 3-pointers— for the Blue Devils (25-4, 12-4 ACC), who avenged a blowout road loss in January by grinding out a tough win in Cameron Indoor Stadium. He also went 9-for-12 from the foul line and pulled down seven rebounds in 32 minutes.

It left Duke coach Mike Krzyzewski joking to reporters that he was interested to read how they'd describe Kelly's big night.

"I mean, me saying 'spectacular' or whatever doesn't do his performance justice," Krzyzewski said. "One for the ages. Probably as good a performance as any player has had — a Duke player has had — in Cameron."

Kelly's performance was the highlight of a game that certainly lived up to the teams' lofty rankings and their status as the league's best. Miami led by seven in the first half and by two at the break, while Duke never led by more than five until the final 3 minutes.

Quinn Cook added 15 points, including a 3-pointer that gave Duke a 10-point lead with 1:55 left.

But the Hurricanes (23-5, 14-2) made a frantic rally and missed two 3s in the final seconds to tie it. Shane Larkin came up short on the first over Kelly. Durand Scott ran down the rebound and fired a pass to the left corner to Rion Brown, whose final 3 clanged off the rim as the horn sounded.

Kelly's season-high was 22 points and his career-best was 23 points before Saturday. He had missed 13 straight games with the right foot injury, though he had been gradually increasing his work in practice in recent days before going right back in the starting lineup Saturday.

"I just knew I was going to play my hardest," Kelly said. "Honestly, though, more than anything it was just going to be whether I could hold up with my breathing. I haven't played any games in a long time, and being in a game is a lot different from being in practice or anything you can do. But I think I held up all right."

He missed a 3 on Duke's first possession, but knocked one down 2½ minutes in and never looked rusty.

"Well, I thought we prepared for Ryan Kelly but obviously not for that Ryan Kelly," Miami coach Jim Larranaga said. "He was sensational from start to finish."

Miami had beaten Duke 90-63 in January and had already clinched at least a share of the ACC regular-season title with the Blue Devils' loss at Virginia on Thursday night. Miami will win its first ACC crown outright by beating either Georgia Tech or Clemson at home this week.

But Saturday's game was about more than just the league standings or the chance to avenge that blowout loss for the Blue Devils. Rather, this was their chance to reclaim some momentum for March with Kelly's return.

"The thing (the win) does for us is it gives us a chance over the next few weeks to transition to the NCAA tournament," Krzyzewski said. "We're just running a little bit different race than anybody else right now. And it doesn't mean everything's OK, but it's a lot better."

Duke was unbeaten with nonconference wins against Kentucky, Louisville and Ohio State when Kelly went down against Clemson in January. It was during Kelly's absence that Duke suffered 27-point loss at Miami on Jan. 23, a game that saw the Hurricanes romping unchecked through Duke's passive defense and even slapping the floor in an apparent jab at the Blue Devils' tradition.

The 6-foot-11 forward was averaging 13 points and five rebounds, and stretched defenses with his outside shot to open space for Mason Plumlee inside.

Fittingly, he started the spurt that finally put the Blue Devils ahead for good. First he hit a pair of free throws, then knocked down a 3-pointer over Kenny Kadji with the shot clock winding down to push Duke to a 58-56 lead with 9:13 left. Plumlee followed with a short hook to cap the 7-0 run for a 60-56 edge.

Duke extended its lead with another 7-0 burst, with freshman Rasheed Sulaimon scoring a pair of driving baskets before Cook's 3 that appeared to have Duke in control.

Miami fought back, getting a 3-pointer from Trey McKinney Jones to make it a one-possession game with 1:06 left. But in addition to those late misses, Larkin also had a costly turnover when he threw away a sideline pass to Brown with Miami trailing by just two with about 30 seconds left.

"This is the type of game that everybody lives for," said Durand Scott, who scored 12 for the Hurricanes. "You can't really get mad at this. We went out there, we played our hardest, we're proud of ourselves, and our team did the best that we could. We just fell short a 3."

Duke shot 52 percent, with Kelly's big day offsetting Seth Curry's struggles (seven points on 2-for-8 shooting) and Miami's domination on the boards that led to a 20-4 edge in second-chance points.

Larkin scored 25 points to lead Miami, while Kenny Kadji added 17 points and 10 rebounds. But big man Reggie Johnson had a miserable night by going scoreless on 0-for-5 shooting and picking up his fourth foul in the first minute after halftime.

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Texas Monthly: Sign Language Interpreters Bring Live Music to the Deaf

On the last night of the 2012 Lollapalooza music festival in Chicago, the sun set over a crowd of thousands who had stood for hours waiting to see Jack White, the headliner. A figure strode onto the stage, setting off a cascade of cheers.

But it was not Jack White, the singer-guitarist, it was Barbie Parker, the festival’s lead sign language interpreter.

Ms. Parker, a Texas native, and members of her Austin-based company, LotuSIGN, had interpreted more than 20 bands’ sets for deaf and hard of hearing festival attendees that weekend. As evidenced by the positive reception she received, her interpretations had won over a good part of the hearing audience as well.

At live music shows, Ms. Parker, 45, does not just sign lyrics — she communicates the entire musical experience. She mouths the words. She plays air guitar and air drums. She jams along with the bands.

“Music is such a large part of who I am,” she said. “I want to be able to open up that experience.”

Ms. Parker was bored in her accounting job and had two young children when she enrolled in her first formal American Sign Language class at San Antonio College about 20 years ago. She became fascinated with interpretation after reading a book about it at her local library and, in a chance encounter just hours after reading it, met the sister of a friend who happened to be an American Sign Language interpreter.

Ms. Parker is now an integral part of Austin’s deaf community. Her two adult sons are proficient in A.S.L., and her company has provided sign language interpretation at music festivals across the country for several years. Next week, she and other LotuSIGN interpreters will take the stage with artists at the South by Southwest music festival in Austin for the sixth year in a row.

The number of deaf and hard of hearing music fans taking advantage of interpretation at free shows held at Auditorium Shores as part of SXSW has risen noticeably in the past few years, Frank Schaefer, the officer manager for the festival, said in an e-mail. The increase can be attributed, at least in part, to a growing number of interpreters who specialize in that kind of work.

A good interpreter is adept at signing, but Ms. Parker also wants her team to impart the emotions and feelings music conveys. Lauren Kinast, 44, who lost her hearing gradually, attended a Rolling Stones concert signed by LotuSIGN interpreters. Ms. Kinast had listened to the Stones growing up, but when she saw Ms. Parker and a colleague interpret their music, she came away with a greater appreciation of the band.

“Everything made it different, better,” Ms. Kinast typed in an interview. “Having the songs interpreted in my language, understanding the emotions behind it, the meaning behind it, and being a part of the concert experience just took my love for them several notches up.”

Ms. Parker first gained recognition in the mid-2000s for interpreting music at the funeral of the parent of a well-known member of the deaf community in Austin. At one point during the service, she needed to sign an emotional musical performance.

“The singer got inspired, so the interpreting had to get inspired,” Ms. Parker said. The signing seemed to further stir the singer, which further moved Ms. Parker. “There was a kind of reverb,” she said. “The deaf audience was just — I just saw these jaws drop open like, ‘Oh, that’s what it’s like.’ ”

After that, she began receiving requests to interpret at weddings, children’s recitals and, of course, live shows. In 2007, she started her own company, Alive Performance Interpreting, which in 2009 became LotuSIGN.

“They’re five-star interpreters,” said Stacy Landry, the program manager for the local government’s deaf and hard of hearing services in Travis County. (Ms. Parker has obvious clout in the field — her traditional interpreting services were used in January when she intepreted President Obama’s Inaugural Address in Washington.)

LotuSIGN interpreters specialize in analyzing lyrics for the artist’s intent in a song. But sign language interpretation, no matter where it takes place, is about more than translating words into gestures and signs. The interpreter must communicate an overall experience by expressing the speaker’s tone, the meaning behind phrases and idioms, and even if someone’s cellphone interrupts an otherwise-silent lecture hall.

One year, Ms. Parker interpreted at a Sheryl Crow concert held to celebrate of one of Lance Armstrong’s Tour de France titles. He was asked to take over on the drums for one of Ms. Crow’s songs.

“Well,” Ms. Parker said, “he wasn’t any good.”

Ms. Parker let the discomfort show on her face as she imitated Mr. Armstrong’s uneven drumming. She nodded subtly to assure perplexed members of the deaf audience that she was indeed doing this on purpose.

As the audience reacted, Ms. Parker saw a deaf man elbow the hearing man next to him and cringe. The hearing man nodded and made a similar pained face.

“They had this shared experience,” Ms. Parker said. The deaf man was truly part of the crowd.

LotuSIGN is working to mentor others in the hope of expanding access to live events. “You can’t do it without a lot of experience,” Ms. Parker said. “It is the hardest work I have ever done.”

Kathryn Jepsen is the deputy editor of Symmetry magazine.

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In Filing, Casino Operator Admits Likely Violation of an Antibribery Law

 In its annual regulatory report published by the commission on Friday, the Sands reported that its audit committee and independent accountants had determined that “there were likely violations of the books and records and internal controls provisions” of the Foreign Corrupt Practices Act.

 The disclosure comes amid an investigation by the Securities and Exchange Commission as well as the Department of Justice and the Federal Bureau of Investigation into the company’s business activities in China.

 It is the company’s first public acknowledgment of possible wrongdoing. Ron Reese, a spokesman for the Sands, declined to comment further.

The company’s activities in mainland China, including an attempt to set up a trade center in Beijing and create a sponsored basketball team, as well as tens of millions of dollars in payments the Sands made through a Chinese intermediary, had become a focus of the federal investigation, according to reporting by The New York Times and The Wall Street Journal in August.

 In its filing, the Sands said that it did not believe the findings would have material impact on its financial statements, or that they warranted revisions in its past statements. The company said that it was too early to determine whether the investigation would result in any losses. “The company is cooperating with all investigations,” the statement said.

 The Sands’ activities in China came under the scrutiny of federal investigators after 2010, when Steven C. Jacobs, the former president of the company’s operations in Macau, filed a wrongful-termination lawsuit in which he charged that he had been pressured to exercise improper leverage against government officials. He also accused the company of turning a blind eye toward Chinese organized crime figures operating in its casinos.

 Mr. Adelson began his push into China over a decade ago, after the authorities began offering a limited number of gambling licenses in Macau, a semiautonomous archipelago in the Pearl River Delta that is the only place in the country where casino gambling is legal.

 But as with many lucrative business spheres in China, the gambling industry on Macau is laced with corruption. Companies must rely on the good will of Chinese officials to secure licenses and contracts. Officials control even the flow of visitors, many of whom come on government-run junkets from the mainland.

 As he maneuvered to enter Macau’s gambling market, Mr. Adelson, who is well known in the United States for his financial and political clout, became enmeshed in often intertwining political and business dealings. At one point he reportedly intervened on behalf of the Chinese government to help stall a House resolution condemning the country’s bid for the 2008 Summer Olympics on the basis of its human rights record.

 In 2004, he opened his first casino there, the Sands Macau, the enclave’s first foreign owned gambling establishment. This was followed by his $2.4 billion Venetian in 2007.

 Some Sands subsidiaries have also come under investigation by Chinese authorities for violations that included using money for business purposes not reported to the authorities, resulting in fines of over a million dollars.

 Success in Macau has made Mr. Adelson, 78, one of the richest people in the world. He and his wife, Miriam, own 53.2 percent of Las Vegas Sands, the world’s biggest casino company by market value. Last year, Forbes estimated his fortune at $24.9 billion.

 Mr. Adelson became the biggest single donor in political history during the 2012 presidential election, giving more than $60 million to eight Republican candidates, including Newt Gingrich and Mitt Romney, through “super PACs.” He presides over a global empire of casinos, hotels and convention centers.

Michael Luo and Thomas Gaffney contributed reporting.

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